Faculty Scholarship

 

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Submissions from 2024

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Dylan + Art: Rodin, Graley Herren

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Dylan + Art: The Gaze (Part 1, Bodies), Graley Herren

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Dylan + Art: The Gaze (Part 2, Looking), Graley Herren

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Dylan in Cincinnati: November 2001, Graley Herren

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Poem to Joanie: Liner Notes to Joan Baez in Concert, Part 2, Graley Herren

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The Warfield Cycle: Dylan's Mystery Plays, San Francisco, November 1980, Graley Herren

Shakespeare and Gentrification in Regional Theatre, Niamh J. O'Leary

Submissions from 2023

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Creole Trilogy: Yellow Moon, Oh Mercy, and Acadie, Graley Herren

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Deferred Dreams: Waiting for Freedom and Equality in Nwandu and Beckett, Graley Herren

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Dylan in Cincinnati: August 1989, Graley Herren

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Dylan in Cincinnati: February 1998, Graley Herren

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Dylan in Cincinnati: July 1999, Graley Herren

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Dylan in Cincinnati: July 2000, Graley Herren

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Dylan in Cincinnati: June 1988, Graley Herren

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Dylan in Cincinnati: March 1965, Graley Herren

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Dylan in Cincinnati: November 1965, Graley Herren

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Dylan in Cincinnati: November 1981, Graley Herren

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Dylan in Cincinnati: November 1992, Graley Herren

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Dylan in Cincinnati: October 1978, Graley Herren

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Dylannati: Introduction to Series on Dylan in Cincinnati, Graley Herren

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Dylan & Obama, Graley Herren

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Dylan's Holy Outlaws, Graley Herren

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Ekphrasis, Graley Herren

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Foster & Poe & Dylan, Graley Herren

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Just Like Nina Simone's Blues, Graley Herren

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Mr. Tambo & Mr. Bones, Play a Song for Me: Foster & Poe in Dylan's "Nelly Was a Lady" Chapter, Graley Herren

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The Prospero of Wonderland; or, Miranda Carroll, Author of Station Eleven, Graley Herren

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To Hell and Back: Bob Dylan & Anaïs Mitchell’s Underworld Songs (Part 2: Hadestown), Graley Herren

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To Hell and Back: Bob Dylan & Anaïs Mitchell’s Underworld Songs (Part 3: Rough and Rowdy Ways & Shadow Kingdom), Graley Herren

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To Hell and Back: Bob Dylan and Anaïs Mitchell's Underworld Songs (Part 1: Blonde on Blonde), Graley Herren

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Ultrasound: Time Out of Mind in utero, Graley Herren

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Witchy Women & Sketchy Men: Gender Dynamics in The Philosophy of Modern Song, Graley Herren

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Introduction: Shakespeare and Contemporary Fiction, Graley Herren and Niamh J. O'Leary

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A Midsummer Night's Dream dir. by Elle While (review), Niamh J. O'Leary

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Bridging the Gap from the Performance-Based Classroom to Teaching Shakespeare at the Performance, Niamh J. O'Leary

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Queering The Winter's Tale in Jeanette Winterson's The Gap of Time, Niamh J. O'Leary

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The Almeida's Romeo and Juliet: A Review, Niamh J. O'Leary

Submissions from 2022

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Come You Whiffenpoofs of War, Graley Herren

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Gypsy Dylan, Graley Herren

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Religion and Spirituality: Meditations on Mystery, Graley Herren

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Slow Trolley Coming, Graley Herren

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Somnicide: Dream Songs as Murder Ballads in Time Out of Mind, Graley Herren

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The Art of the Unsaid in Dylan's The Philosophy of Modern Song, Graley Herren

Submissions from 2021

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Resurrecting Dying Voices in "Every Grain of Sand", Graley Herren

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Our Neighbor Shakespeare, Niamh J. O'Leary and Jayme Yeo PhD

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Shakespeare on the Regional US Stage, Niamh J. O'Leary and Jayme M. Yeo PhD

Submissions from 2020

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From Don DeLillo to Bob Dylan: An Interview with Graley Herren, Graley Herren

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How I Learned to Drive Teaching Tips, Graley Herren

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Hungry Hearts and Broken Dreams at the Springsteen Motel, Graley Herren

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Shades of Shakespeare in the Queering of Hill House, Graley Herren

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Waiting for Godot Teaching Tips, Graley Herren

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Young Goodman Dylan: Chronicles at the Crossroads, Graley Herren

Submissions from 2019

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Teacher Education: Are we preparing teachers for the learning environments that exist in their schools?, Sally M. Barnhart M.Ed.

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The Adventures of Pascal Wanderlust Book 1, Norman Finkelstein

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The Adventures of Pascal Wanderlust Book 3, Norman Finkelstein

Buried in the Desert: Unearthing Underground Narratives in Okorafor’s Binti Trilogy, John Getz

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Review of Cincinnati Shakespeare Company's Fences, Graley Herren

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The Twilight’s Last Gleaming: Dialogues and Debts in Bob Dylan’s "Chimes of Freedom", Graley Herren

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From Rigid Regency Sicilia to Musical Bohemia: The Winter’s Tale, Niamh J. O'Leary

Submissions from 2018

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“A World of Wake-Believe”: Thoughts On Robert Podgurski’s Wandering On Course, Norman Finkelstein

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The Poet Goes for Broke: Orphic Noise, by Patrick Pritchett, Norman Finkelstein

Teaching Literature of Peace and Justice at Cincinnati’s Harriet Beecher Stowe House, John Getz

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Libranth: Nicholas Branch's Joycean Labyrinth in Don DeLillo's Libra, Graley Herren

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Monstrous Beckett: Viewing Eh Joe through the Peephole of Psycho, Graley Herren

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Mythic Quest in Bob Dylan's Blonde on Blonde, Graley Herren

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The Marriage of Heaven and Hell: Conor McPherson’s Girl from the North Country, Graley Herren

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A Gold Rush Twelfth Night in Cincinnati, Niamh J. O'Leary

Submissions from 2017

Science Fiction as Activism: The Binti Trilogy, John Getz

The Healing Bite of Cancer Satire, John Getz and JoAnn Moser Gibbons

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Love-Lies-Bleeding: Self-Portrait of the Artist as a Dying Man, Graley Herren

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“The Metaphysical Noir of W. G. Sebald’s Vertigo”, Graley Herren

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Review of Lord Denney’s Players’ The Tempest (February 2017, Ohio State University), and Cincinnati Shakespeare Company’s The Tempest (April 2017), Niamh J. O'Leary

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The Politics of Female Alliance in Early Modern England, Niamh J. O'Leary and Christina Luckyj

Submissions from 2016

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Ohio Journal for Teacher Educator, Sally M. Barnhart M.Ed.

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From the Files of the Immanent Foundation, from Part 3, "Code Name: Emma", Norman Finkelstein

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From the Files of the Immanent Foundation, from Part 4, “Lucy Rescued”, Norman Finkelstein

Seeing—and Not Seeing—the Faces of the Enemy: Redeployment in Context, John Getz

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American Narcissus: Lacanian Reflections on DeLillo’s Americana, Graley Herren

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Cosmological Metafictions: Gnosticism in Don DeLillo’s Libra, Graley Herren

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Julie Taymor, Niamh J. O'Leary

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“‘The Joys and Accessibility of Shakespeare’s Theater’: Notes on the American Shakespeare Center’s Summer/Fall 2015 Season, Niamh J. O'Leary

Submissions from 2015

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Nathaniel Mackey: Poetry Terminable and Interminable, Norman Finkelstein

A Course on the Intersections of Science and Technology with Peace and Justice, John Getz

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Don DeLillo’s Art Stalkers, Graley Herren

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‘The Martiniad’: Nick Shay as Embedded Author within Don DeLillo’s Underworld, Graley Herren

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Female Quixotism Refashioned: Northanger Abbey, the Engaged Reader, and the Woman Writer, Jodi Wyett

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Quixotic Legacy: The Female Quixote and the Professional Woman Writer, Jodi Wyett

Submissions from 2014

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Glyphs From Beyond: Paul Bray’s Gnostic Poetry, Norman Finkelstein

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A Womb with a View: Film as Regression Fantasy, Graley Herren

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DeLillo Variations: A Contrapuntal Reading of ‘Counterpoint,’ The Body Artist, and Love-Lies-Bleeding, Graley Herren

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Flying Man and Falling Man: Remembering and Forgetting 9/11, Graley Herren

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Book Review of Amanda E. Herbert, Female Alliances: Gender, Identity, and Friendship in Early Modern Britain, Niamh J. O'Leary

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Performance Review | True Crime Voyeurs: “Arden of Faversham” at the RSC, Niamh J. O'Leary

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Posthumous Justice for the Walking, Talking Female Dead, Kristen Renzi

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Commentaries, Tyrone Williams

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Notes Toward An American Avant-Garde, Tyrone Williams

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Reginald and Me, Tyrone Williams

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Jane Austen Then and Now: Teaching Georgian Jane in the Jane-Mania Media Age, Jodi Wyett

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Too Much is Never Enough: Austen’s Texts and Contexts, Jodi Wyett

Submissions from 2013

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‘Stations of a Mourner’s Cross’: Samuel Beckett, Killiney, 1954, Graley Herren