Submissions from 2018
“A World of Wake-Believe”: Thoughts On Robert Podgurski’s Wandering On Course, Norman Finkelstein
The Poet Goes for Broke: Orphic Noise, by Patrick Pritchett, Norman Finkelstein
Teaching Literature of Peace and Justice at Cincinnati’s Harriet Beecher Stowe House, John Getz
Libranth: Nicholas Branch's Joycean Labyrinth in Don DeLillo's Libra, Graley Herren
Monstrous Beckett: Viewing Eh Joe through the Peephole of Psycho, Graley Herren
Mythic Quest in Bob Dylan's Blonde on Blonde, Graley Herren
Submissions from 2017
Science Fiction as Activism: The Binti Trilogy, John Getz
The Healing Bite of Cancer Satire, John Getz and JoAnn Moser Gibbons
Love-Lies-Bleeding: Self-Portrait of the Artist as a Dying Man, Graley Herren
“The Metaphysical Noir of W. G. Sebald’s Vertigo”, Graley Herren
Review of Lord Denney’s Players’ The Tempest (February 2017, Ohio State University), and Cincinnati Shakespeare Company’s The Tempest (April 2017), Niamh J. O'Leary
The Politics of Female Alliance in Early Modern England, Niamh J. O'Leary and Christina Luckyj
Submissions from 2016
From the Files of the Immanent Foundation, from Part 3, "Code Name: Emma", Norman Finkelstein
From the Files of the Immanent Foundation, from Part 4, “Lucy Rescued”, Norman Finkelstein
Seeing—and Not Seeing—the Faces of the Enemy: Redeployment in Context, John Getz
American Narcissus: Lacanian Reflections on DeLillo’s Americana, Graley Herren
Cosmological Metafictions: Gnosticism in Don DeLillo’s Libra, Graley Herren
Julie Taymor, Niamh J. O'Leary
“‘The Joys and Accessibility of Shakespeare’s Theater’: Notes on the American Shakespeare Center’s Summer/Fall 2015 Season, Niamh J. O'Leary
Submissions from 2015
Nathaniel Mackey: Poetry Terminable and Interminable, Norman Finkelstein
A Course on the Intersections of Science and Technology with Peace and Justice, John Getz
Don DeLillo’s Art Stalkers, Graley Herren
‘The Martiniad’: Nick Shay as Embedded Author within Don DeLillo’s Underworld, Graley Herren
Female Quixotism Refashioned: Northanger Abbey, the Engaged Reader, and the Woman Writer, Jodi Wyett
Quixotic Legacy: The Female Quixote and the Professional Woman Writer, Jodi Wyett
Submissions from 2014
Glyphs From Beyond: Paul Bray’s Gnostic Poetry, Norman Finkelstein
A Womb with a View: Film as Regression Fantasy, Graley Herren
DeLillo Variations: A Contrapuntal Reading of ‘Counterpoint,’ The Body Artist, and Love-Lies-Bleeding, Graley Herren
Flying Man and Falling Man: Remembering and Forgetting 9/11, Graley Herren
Book Review of Amanda E. Herbert, Female Alliances: Gender, Identity, and Friendship in Early Modern Britain, Niamh J. O'Leary
Performance Review | True Crime Voyeurs: “Arden of Faversham” at the RSC, Niamh J. O'Leary
Posthumous Justice for the Walking, Talking Female Dead, Kristen Renzi
Commentaries, Tyrone Williams
Notes Toward An American Avant-Garde, Tyrone Williams
Reginald and Me, Tyrone Williams
Jane Austen Then and Now: Teaching Georgian Jane in the Jane-Mania Media Age, Jodi Wyett
Too Much is Never Enough: Austen’s Texts and Contexts, Jodi Wyett
Submissions from 2013
‘Stations of a Mourner’s Cross’: Samuel Beckett, Killiney, 1954, Graley Herren
The Politics of Identification in Waiting for Godot, Graley Herren
The Return of the Repressed Mother in W. G. Sebald’s Novels, Graley Herren
Working on Film and Television, Graley Herren
Chinese Shakespeares: Two Centuries of Cultural Exchange, by Alexander C. Y. Huang, Niamh J. O'Leary
Safety in Objects: Discourses of Violence and Value—the Rokeby Venus and Rhythm 0, Kristen Renzi
Spirit Books: Promoting Conversation with Picture Books, Trudelle Thomas
Climbing Earth: The spiritual materials of Hank Lazer and giovanni singleton, Tyrone Williams
Hank Lazer, N18, Tyrone Williams
Outsider Ecopoetics: Notes on a Problem, Tyrone Williams
Poem Talk with Thom Donovan and Patrick Durgin, Tyrone Williams
The Crossed-Out Swastika, Tyrone Williams
The Harriet Blog, Tyrone Williams
The Radical and Bourgeois Leftism of Harold Cruse, Tyrone Williams
’To Be Set to Music’: The Rhetorical-Aural Poetry-Dramas of Russell Atkins, Tyrone Williams
Tolerance, Translation and Ecstasy: A Future, Tyrone Williams
Frances Brooke on (the) Stage: Theory and Practice, Jodi L. Wyett
Submissions from 2012
Ambition and Desire: Gertrude as Tragic Hero in Feng Xiaogang's The Banquet, Niamh J. O'Leary
Kathryn Schwarz, What You Will: Gender, Contract, and Shakespearean Social Space, Niamh J. O'Leary
The Field in Review: Textual Studies, Performance Criticism, and Digital Humanities, Niamh J. O'Leary
Andy Fitch with Tyrone Williams, Tyrone Williams
Cross Cultural Poetics Interview, Tyrone Williams
