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Submissions from 2020

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COMM 101-01-02 Oral Communicaiton, Luther Smith

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COMM 101-03 Oral Communication, Dustin Lewis

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COMM 101-04-05 Oral Communicaiton, Kelley Wainscott

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COMM 101-10 Oral Communication, Joe Webb

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COMM 101-12 Oral Communications, Elizabeth Ming

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COMM 101-14 Oral Communications, Elizabeth Ming

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COMM 101-15 Oral Communications, Paul Fox

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COMM 123-01 Introduction to Communication and Media, Andrew Zolides

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COMM 123-02 Introduction to Communication and Media, Wendy Maxian

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COMM 206-01 Writing for the Media, Sharmaine McLaren

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COMM 206-02 Writing for the Media, Sharmaine McLaren

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COMM 206-03 Writing for the Media, Ryan Clark

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COMM 207-01-ONL Interpersonal Communication, Jennifer Tighe

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COMM 207-02 Interpersonal Communication, Jennifer Tighe

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COMM 209-03 Group Dynamics, Jennifer Tighe

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COMM 211-02 Consumer in Media, Randy Patnode

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COMM 221-01 Introduction to Digital Media, Ashley Hinck

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COMM 221-02 Introduction to Digital Media, Ashley Hinck

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COMM 235-01 Digital Design, Andrew Zolides

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COMM 237-01 Elements of Copy and Design, Wendy Maxian

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COMM 247-01 Understanding New Media, Randy Patnode

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COMM 260-01 Organizational Communication, Katrina Wyche

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COMM 264-01 Persuasion, Thomas Wagner

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COMM 270-01 Principles of Strategic Communication, Leslie Rasmussen

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COMM 301-01 Presentational Speaking, Jennifer Tighe

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COMM 321-01 Advanced Digital Media, Andrew Zolides

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COMM 329-01 Audience Survey and Research, Ken Kim

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COMM 329-02 Audience Survey and Research, Thomas Wagner

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COMM 332-01 Media Strategies in Advertising, Ken Kim

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COMM 360-01 Advanced Organizational Communication, Thomas Wagner

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COMM 371-01 Public Relations Writing, Paul Fox

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COMM 372-01 PR Cases and Planning, Leslie Rasmussen

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COMM 385-01 Media, Democracy and the Public, Ashley Hinck

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COMM 430-01 Creative Strategies in Advertising, Ken Kim

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COMM 433-01 Social Media Strategy, Leslie Rasmussen

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COMM 477-01 Strategic Communication Ethics, Randy Patnode

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DIFT 215-01 Aesthetics and Techniques of Post-Production, John Addino

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DIFT 215-02 Aesthetics and Techniques of Post-Production, John Addino